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The new camera arrived a few days ago! I’ve been busy shooting with it around the property and learning what it can do. I’ve also been reading the manual – yes, I do that – to try and get up to speed with all the latest features that have been added to Canon pro DSLR cameras (EOS 1D series) since I last purchased the 1D MkIII 14 years ago.

Stock photo of the Canon 1Dx Mark III

Let me tell you, the upgrade is massive. One of the first tests I put it through was to check out its High ISO performance. My trusty old 1D MkIII could not get useable shots at anything higher than 2,500 ISO. The image was simply too noisy (full of grain and chromatic issues). Even at 2,500 ISO, it was a must for me to use noise reduction software in post-processing to produce images I could send to magazines for publication. Does the brand new 1Dx MkIII live up to its hype and will it help reduce my workflow on High ISO images?

In a word… Yes! The following close up of the side of an antique hat box was captured using an ISO of 40,000 (which is 16 times greater than I could ever do with my previous camera and still have a useable image). Although resizing for web use takes out image grain, the image was very useable at its original size. No noise reduction software was used on the following image.

My next test was wandering outside and testing it out in some challenging light conditions. One light condition I have often encountered when shooting for magazine stories has been the high contrast, direct sun issue. I can usually figure a way to obtain another angle that will avoid the direct sun that can cause flares and blow out highlights on an image, etc., but I can’t do that every single time. So I took some shots that had bright setting sun (lower and more direct towards the lens) in the background of a scene with a lot of contrasting dark and light colors. That can be pretty tricky for the camera to process, but the 1Dx MkIII handled it with aplomb.

I was using the Aperture Priority setting and opened the lens up fairly wide (F5.6). While the background light was bright, it did not blow or become too contrasty (is that even a word?). In fact, the darkness around the edges of this image was from a software filter. The original image had consistent light from edge to edge.

I’ve also shot in burst mode with AI Servo tracking and it has not lost a shot to blurred focus yet. Granted, I’ve just been focus tracking our older dog and our fairly low-key horses, but it hasn’t missed yet. And the burst mode is impressive at 16fps vs my previous 10fps. I shoot burst mode on a regular basis for my rodeo photography. My old 1D would miss the focus on a number of shots during some indoor event lower-light burst shooting, but I worked around it to make sure I caught peak action (most of the time!). With the 1Dx MkIII, there does not appear (as of yet) that there will be a need to work around indoor event lower-light burst mode misfocuses. That factor will lessen my need to take more shots, which will decrease my after-event work to choose the shots to send to the magazines. In other words… it will be a big time saver. I will be shooting some evening outdoor rodeo performances within the next couple of weeks. I will really put it through its paces then.

I still have to put the 1Dx MkIII through some challenging video capture scenarios, but the quick videos I have taken so far (mundane stuff like rainfall and our old pup) seem to point toward a robust and user friendly experience. It looks like I will be able to quickly switch back and forth between still shooting and video capture, which will open up a wider range of opportunities for magazine submissions. That’s what the pro cameras are supposed to do, right?

Thanks for reading. I will make further posts as I continue to use the latest Canon 1Dx MkIII. It should be a fun ride.

God bless and have a great day.

Lincoln Rogers Sharing the West Profile Picture
You can find Lincoln Rogers on the conservative, Pro-America social media platform USA.Life — https://usa.life/LincolnRogersWritingPhotography
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